In my practice, I build environments that invite and unsettle, drawing viewers in with comedy, beauty, and surreal exaggeration, only to confront them with hard truths about history and society. Manipulating materials from my life—childhood relics, domestic debris, odd mythologies—I reimagine meaning, crafting sculptures and installations that critique and treasure the culture that shaped them. These transformations, often grotesque yet meticulously composed, elevate the raw humanity of existence. In performance videos filmed from a first-person perspective, I blur the line between audience and performer, implicating the viewer in the unfolding narrative. Thematically, my work often engages taboo subjects, challenging norms that perpetuate American violence. This involves an ongoing investigation of the nuclear family, capitalism, colonization, and sexuality. Recent projects interrogate the symbolism of the U.S. presidency, peeling back polished facades to reveal greed, corruption and barbaric power.
Across mediums, I create spaces where humor and honesty collide, inviting reflection on the intersections of the personal and the political. At its heart, my work is a pursuit of transcendence—a reshaping of objects, ideas, and the self that embodies the desire for a reformed world. I believe evolution requires many small revolutions: the reclamation of what is broken, the reframing of what is forgotten, the insistence on looking deeper. Like the games of my childhood, where we built worlds from what we had, my practice imagines what could be, grounded in the belief that curiosity and radical truth-telling are forces of positive change.
b. 1994 Worcester, Massachuetts
davidweswhite@gmail.com